Abigail
Toll is an English, Berlin-based sound artist and composer who makes a beguiling concoction of abstract minimalism, pensive drone and thrumming electronics (Boomkat). Her artistic research currently explores interspecies resonance through folk, pastoral and electroacoustic music. Her live shows are commemorations of the natural world inspired by neolithic Maltese temple The Hypogeum which contains acoustic chambers that resonate at 70Hz and 114Hz. These frequencies, when sounded together, affect physiological sensations on the body which Toll evokes to terrifying and divine effect in a live performance that combines synth-generated noise, flute, droning metal singing bowls and hypnotic vocal mantras. An immersive sensory experience, the piece evolves through each live performance, with Toll sculpting the sound to each room's resonant character (and vice-versa). Driven by experiential psychoacoustic research, these ritual communal acts of performance will ultimately shape her next recorded album's final compositions.
Her debut record Matrices of Vision focuses on the sonic and emotional potential of psychoacoustics and data and was released in September 2023 on Shelter Press. It was originally premiered as an ensemble performance, featuring Rebecca Lane, Lucy Railton, and Evelyn Saylor at KM28, and Klosterruine with KW Institute of Contemporary Art in Berlin. It was described by Bandcamp as “40 exquisite moments” and GRM: Radio France as “a fascinating record – hyper concentrated on [Toll’s] academic training which loops back to a kind of exorcism.”
Her debut record Matrices of Vision focuses on the sonic and emotional potential of psychoacoustics and data and was released in September 2023 on Shelter Press. It was originally premiered as an ensemble performance, featuring Rebecca Lane, Lucy Railton, and Evelyn Saylor at KM28, and Klosterruine with KW Institute of Contemporary Art in Berlin. It was described by Bandcamp as “40 exquisite moments” and GRM: Radio France as “a fascinating record – hyper concentrated on [Toll’s] academic training which loops back to a kind of exorcism.”
Upcoming releases include:
'Despair Rituals' (Tranceversal Voices) – collaboration with Helena Espvall
‘Lilith’ (Repulse Xplosif) – collaboration with Turi Leng Seong Agostino and Tiffani Achilleas
‘Lilith’ (Repulse Xplosif) – collaboration with Turi Leng Seong Agostino and Tiffani Achilleas
Extended bio
Toll studied English Literature and Art History (BA) at Sussex University (Brighton, UK), Electroacoustic Composition (MA) at KMH–The Royal College of Music in Stockholm (SE) and is the recipient of numerous scholarships. She was an artist in residence for the Amplify Berlin programme in 2018 with Caterina Barbieri and Maya Shenfeld, shortly after which she released her first EP Old World | New Ruins in 2019 under the moniker Ionian Death Robes. She is an artistic programmer for Tranceversal Voices – a multidimentional format for deep listening, drone, hypnotic club music and poetry resonating beyond categories, and at HOLON – an interdisciplinary format exploring the social discourse between art, music, design and emerging technologies. She presented a collaborative exhibition exploring data and co-creation with Stina Baudin for the series Rehearsing Moves on Hazy Paths in 2023. Her work and performances have been shown at: Heart of Noise (Innsbruck, AU); Gibanja, Kontejner (Zagreb, CR); tekhne, GMEA (Albi, FR); Casa del Popolo (Montreal, CA); Klosterruine; KW Institute for Contemporary Art; ZK/U; Kunsthalle Gent; The Lucerne School of Music (Lucerne, CH); LAS – Pawilon (Poznan, PL); Volksbühne (Berlin, DE); Swedish Association of New Music Promoters, (Gävle, SE); l’Ancienne Belgique (Brussels, BEL); The Drone Society (London, UK); Lisa (Lisbon, PT); UT Connewitz, (Leipzig, DE); Arttheater, (Cologne, DE); and with Tiara Roxanne at re:publica (Berlin, DE), Images Festival (Toronto, CA) and AMOQA (Athens, GR) among others.
Bookings: abigail.j.toll(at)gmail.com
Toll studied English Literature and Art History (BA) at Sussex University (Brighton, UK), Electroacoustic Composition (MA) at KMH–The Royal College of Music in Stockholm (SE) and is the recipient of numerous scholarships. She was an artist in residence for the Amplify Berlin programme in 2018 with Caterina Barbieri and Maya Shenfeld, shortly after which she released her first EP Old World | New Ruins in 2019 under the moniker Ionian Death Robes. She is an artistic programmer for Tranceversal Voices – a multidimentional format for deep listening, drone, hypnotic club music and poetry resonating beyond categories, and at HOLON – an interdisciplinary format exploring the social discourse between art, music, design and emerging technologies. She presented a collaborative exhibition exploring data and co-creation with Stina Baudin for the series Rehearsing Moves on Hazy Paths in 2023. Her work and performances have been shown at: Heart of Noise (Innsbruck, AU); Gibanja, Kontejner (Zagreb, CR); tekhne, GMEA (Albi, FR); Casa del Popolo (Montreal, CA); Klosterruine; KW Institute for Contemporary Art; ZK/U; Kunsthalle Gent; The Lucerne School of Music (Lucerne, CH); LAS – Pawilon (Poznan, PL); Volksbühne (Berlin, DE); Swedish Association of New Music Promoters, (Gävle, SE); l’Ancienne Belgique (Brussels, BEL); The Drone Society (London, UK); Lisa (Lisbon, PT); UT Connewitz, (Leipzig, DE); Arttheater, (Cologne, DE); and with Tiara Roxanne at re:publica (Berlin, DE), Images Festival (Toronto, CA) and AMOQA (Athens, GR) among others.
Bookings: abigail.j.toll(at)gmail.com